Taming of the Shrew
The enduring Shakespearean Comedy, Taming of the Shrew, has several important themes, among which are: the hurtful nature of shrewish behavior, male domination, and appearance versus reality. We will discuss these in this research paper. In The Taming of the Shrew by William Shakespeare research papers, conflict and misunderstanding form the foundation of delightfully comedic theater. The various ruses being played out by different characters, assumed identities, and differential levels of cognizance regarding the complicated combinations of truth and fiction simultaneously operating challenge the omniscient audience throughout the play. The audience must be active in their participating with the story or they might lose track of the misunderstanding that are constantly developing.
Interestingly, the first misunderstanding is not directly connected with the overall plot of The Taming of the Shrew by Shakespeare. In the introduction, Christopher Sly is misled by an adventurous Lord. The drunken Sly is told that he has been mad for the last fifteen years. A page takes on the role of Sly’s wife; the boy pretends to be a woman. Convinced he is the Lord of the home he is in, he becomes desiring of his “wife.” The actors involved in the ruse carry him away to watch the play The Taming of the Shrew.