Robert Frost research papers focus on the poet's works and his style. Research papers on Frost note that for most poets the idea of form following function is a secondary concern; art in all of its beauty, expressed through the written word, is the apex of desire. While this state is true of most literary artists, the truly great poets discussed in research papers seem to be able to capture, to only the beauty of their subject matter, but also employ the axiom of form following function. Robert Frost is one such poet. What is perhaps most amazing about Robert Frost's works is that on the surface they appear simplistically beautiful; typically his work details the intrinsic splendor of the New England landscape. Careful analysis in Robert Frost research papers of any of his works reveals, however, that his word choice, imagery and even structure form hidden meaning that ultimately makes his poems deeply rich in subtext.
Robert Frost was born on March 26, 1874 and died in January 1963. He was born in San Francisco yet moved to Massachusetts with his mother after his father died. He published his first poem about Cortez in Mexico in his high school newspaper at the age of sixteen. Very little of his poetry was printed during the next two decades of his life.
A great many of Frost’s poems were associated with the landscape and life of New England. Three poems, The Mountain, After Apple-Picking, and The Wood-Pile depicted the citizens of New England counting their blessings or staring off into dark abysses. Robert Frost was an American poet of the twentieth century, whose style of writing is associated with a love of nature and of plain speech, in which the subjects of the meaning of life, self-discovery and irony are evident, as seen in The Road Not Taken and Stopping by Woods on a Snowy Evening.