Gilgamesh and Religion
Gilgamesh and Religion research papers state that one of the universal aspects of Gilgamesh is that it is strongly laden with religious motifs. A research paper on Gilgamesh and religion has described Gilgamesh as being a famous secular poem so how can it be religious? Myth in Gilgamesh research papers show that literary typology makes a hard and fast distinction between the sacred and secular is apt to be too modern, and too rigid, for the evaluation of works as ancient as is Gilgamesh (3rd millenium B.C.).
We can call the Odyssey, perhaps datable to 750-650 B.C., a secular poem if we wish, but, like Gilgamesh, the Odyssey summarizes a great deal of the world through which the hero moves and involves many mentions of the work of the Gods. The topography surrounding the city of Phaecia, for example, is explained as being due to the anger of Poseidon against that city because of the dealings they have had with Odysseus (Odyssey,13:171-3). Likewise, in Gilgamesh (and in Genesis, of course) there is a divinely inspired flood; this occurs because Enlil says to the Gods in council, “The uproar of man is intolerable and sleep is no longer possible by reason of the babel.” Epic poems that are sufficiently ancient to be called mythological contain a great deal of religious content. It is a function of myth to give an explication of the world and the cosmos and myths therefore must, and do, deal with divine creatures and with the relationship between man and those divine creatures. The dividing line between the sacred and secular in such poetry is not always easy to discern.