Gangster Films in Global Cinema Research Papers
Gangster Films in Global Cinema Research Papers are one of the many research paper topics that Paper Masters provides. Use this topic suggestion as a guide on how to write a paper or order your own custom research paper.
The subject of this research paper topic suggestion is a comparison of gangster films in global cinema. Some excellent topics to focus on are the following in relation to gangster films in global cinema:
- Consider how questions of genre operate in transnational cinema.
- Does the film present a national identity, or what features identify this as a film from that country (i.e. language, location, story, etc.).
- Discuss gangster/crime genre in Hollywood, UK, and Japan (and yakuzi) and give a brief history.
- Discuss the directors (country of origin, their previous work, etc), the plot, visual aesthetics, and characters.
- Discuss film production for each film, what country(s) it was produced in.
- Discuss distribution of the films in their country of origin and around the world.
- Discuss film presentation (film festivals, Cineplex movie theaters, etc).
- Discuss audience reception in the country of origin and around the world, if possible. Give thoughts on who you think is the intended audience, and why.
Films to discuss in the gangster fim genre include (choose one or both from each grouping):
- “Layer Cake” or “Lock Stock and Two Smoking Barrels” — UK
- “Brother” — USA/Japan
- “Wasabi” — France/Japan
- Quentin Tarantino – “Reservoir Dogs” or “Pulp Fiction” — USA
This film assignment is a research paper on a global cinema topic of your choice. This topic suggestion for a research paper is meant to place the readings from the class into dialogue with outside viewing and research. The goal of this topic is for you to integrate the critical topics from your class into a research project fueled by your own interests. The choice of theoretical approach is open and it is expected that you will conduct library research to support your argument.
It is expected that you will see at least one film that has not been shown in your class and which best support your interest. To perform a close analytical reading of the films and illuminate a particular director’s style, or any other approach that draws on the films and ideas from your class.