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Gangster Films in Global CinemaGangster Films in Global Cinema Term Paper:
The subject of this paper is a comparison of gangster films in global cinema. Consider how questions of genre operate in transnational cinema. Does each film present a national identity, or what features identify this as a film from that country (i.e. language, location, story, etc.). Discuss gangster/crime genre in Hollywood, UK, and Japan (and yakuzi) and give a brief history. Discuss the following films, the directors (country of origin, their previous work, etc), the plot, visual aesthetics, and characters. Discuss film production for each film, what country(s) it was produced in. Discuss distribution of the films in their country of origin and around the world. Discuss film presentation (film festivals, Cineplex movie theatres, etc). Discuss audience reception in the country of origin and around the world, if possible. Give thoughts on who you think is the intended audience, and why. Films to discuss, choose one or both from each grouping:
-- “Layer Cake”/or “Lock Stock and Two Smoking Barrels” -- UK
-- “Brother” -- USA/Japan or “Wasabi” -- France/Japan
-- Quentin Tarantino – “Reservoir Dogs”/ or “Pulp Fiction” -- USA


Your final assignment is a term paper on a global cinema topic of your choice. This paper is meant to place the readings from the class into dialogue with outside viewing and research. The goal of this assignment is for you to integrate the critical topics from this quarter into a research project fueled by your own interests. The choice of theoretical approach is open and it is expected that you will conduct library research to support your argument.

It is expected that you will see at least one film that has not been shown in class and which best support your interest. To perform a close analytical reading of the films and illuminate a particular director’s style, or any other approach that draws on the films and ideas from this class.


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Gangster Films in Global Cinema Term Papers

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