The Cinema Research Papers

It is the purpose of this paper to discuss the history and development of the motion picture, its present state, and the direction in which it may be headed. We will discuss the origins of the film, the way in which it has developed, different genres which have arisen over time, including comedy and drama, its present uses, the factors that affect its existence, the role which technology has come to play in film making, and the possible direction which technology may take in the future.

Present day motion pictures make vast use of technology. The modern motion picture cameras are technical marvels as are also the sound systems employed. Computerized imagery is becoming ever more ubiquitous in films and this technology, which is only just beginning to make its influence felt, will probably have a great deal to do with how the cinema will evolve in the future. But though the films of yesteryear look quaint and primitive to modern eyes, it should be realized that motion pictures have always been technically miraculous in the eyes of contemporaries. This was so from the beginning. Photography itself was invented in 1835. The technology that made a “moving picture” possible, celluloid-roll film, was invented by George Eastman in 1888, although, before that, primitive “pictures in motion” had been made by means of consecutive exposures of people in motion. The latter, however, unlike frames on a celluloid roll, would not have blended well with the projector technology that stemmed from the old “magic lanterns” and which was being developed in the last half of the 19th century.

Early films were “silent” and visually limited. To say that they were “black and white” is to understate the case somewhat. An author notes that the black and white film used until the 1920s was orthochromatic, sensitive to ultraviolet, violet, and blue light, less sensitive to green and yellow, and totally “blind” to red light; this meant that the colors of what was being photographed had to be carefully controlled; actresses could not, for example, use red lipstick. Color was rarely totally absent from so-called “black and white” films. Various means were made to apply some coloration to movies well before the invention in 1915 of a film using an actual color-sensitive emulsion. Techniques called “tinting,” “toning,” and “mordanting” were used to give color to movies although these tended to be rather primitive and wholesale, often giving a hue to the entire frame. A modern viewer of David Wark Griffith’s Birth of a Nation will notice a constant shifting of color—particularly in interior scenes—where some scenes have a reddish hue, others a bluish hue.

Custom The Cinema Research Papers from Paper Masters

A research paper is an in-depth examination of The Cinema. More than just an overview of what was learned on The Cinema, like a term paper is, a research paper contains analysis of The Cinema along the lines of organizational theory and relevant published material. Research papers are highly analytical and can often be more than 8 to 10 pages. The key to a good research project is the examination of recently published journal articles and peer-reviewed material on the The Cinema chosen. Like the name implies, research papers are exactly that, a paper that examines the information that can be found on The Cinema.