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Implications for Anthropological Theory and Practice Term Papers

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Although humans have engaged in informal ethnographic description and comparison for millennia, it was not until the late nineteenth century that the field of anthropological inquiry in its modern form began to take shape. It seems more than coincidental that this was roughly the same era during which photography first attained widespread prevalence. By the early decades of the twentieth century, the stirrings of a more value-neutral analytical stance had begun to alter the practice of anthropology, as so-called ‘primitive’ societies began to be recognized as nuanced and complex expressions of humanity in their own right, without disparaging comparisons to Western civilization.
The ability of still photographs to document cultural artifacts objectively mirrored perfectly the aim of this new breed of anthropologists, who sought to describe and classify diverse cultural and social practices in an unbiased context. Even today, when technological advances have greatly expanded the array of media available for cultural documentation, many researchers continue to rely on the still image as the essential form of field documentation, not only within the discipline of anthropology, but in virtually every niche of the social sciences.
To a large extent, the development of anthropology as a field is unimaginable without the parallel advancement of photographic technology. The ability to document cultural artifacts and folkways in a relatively durable manner using portable, user-friendly technology was a galvanizing catalyst that cannot be underestimated in the formation of cultural and social anthropology. Lacking this technology, it is doubtful that these disciplines would have developed to such an extent during the heady formative period of the early twentieth century.

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